Nodes of Cultural Development N.1 ‘El Morro’

095

A project recovering the urban area and improving social and environmental conditions

Photos by Andres Galeano Photos by Andres Galeano

Initiator(s)

ElPuente_lab, STEALTH.unlimited, María Camila Vélez, Yesenia Rodríguez

Description

The project consists of structures that resemble shipping containers and an abandoned bus that serve as communal areas. It was designed for the Moravian Cultural Development Centre (CDCM), considering the regional restrictions on the use of public space, as a bridge between art and architecture, building on the Experimental Architecture notion of reusing industrial materials. It is designed to be a collective artistic space that supports the neighborhood's urban transformation process through the construction of new public spaces like a multipurpose workshop, a reading room and library for kids and adults, a multipurpose space for movies and other events and a communal kitchen. The utilisation of recycled materials, beginning with a ready-made architectural idea and industrial-made components as shelter and functional structures, is emphasised in El Morro. The project supports an international exchange programme between artists and the community of Moravia.

Context

The neighbourhood of Moravia in Medellin grew as an unregulated settlement of communities that arrived in the city in the 1960s. The municipal dump "El Morro", established in the area in 1977 and closed in 1984, became a source of the neighbourhood’s survival, based on the reuse of recycled materials. In 2004 the Municipality of Medellín, under the guidance of Mayor Sergio Fajardo, began an integrated strategic plan to promote development through actions aimed at recovering the urban area and improving the social and environmental conditions. A sign of the neighbourhood’s rebirth is the Centro de Desarrollo Cultural de Moravia / Cultural Development Center of Moravia (CDCM), whose aim is to promote culture, education and arts. The initial budget available for the project was 25.000 Euros, and the team had two weeks to come up with an idea.

How to use it

During the design of the project, the collective operated by gathering a work team around a specific objective, with the aim of answering questions without any preconceived formulas. The collective was shaped as a “laboratory” where its members contributed with their own experience and adapted to the collective construction in dialogue with the inhabitants of the neighbourhood.

Goals

Beyond being a process of architectural design, the project gives a possibility of decentralising successful activities of the CDCM. The main objective of this process, which expands the range of existing cultural institutions by multiplying its space with temporary affordable structures, is to increase access to cultural activities for the community and strengthen community development processes.

Beneficial outcomes

The project has become a prototype to explore possibilities of similar interventions in other neighbourhoods in Medellin and beyond. Over the years, it had turned into a state-of-the-art lab using plants to take the toxins out of the neighbourhood’s soil.

Video: 10th Anniversary
Video: Interview
Video: Interview (Part 01)
Video: Interview (Part 02)

Location

Moravia neighbourhoud, Medellín, Colombia

Field

Right to the city, Commons, Legislative Change

Strategy

Extraterritorial Reciprocity, Use it Together (U-I-T), Space Hijack

Users

Inhabitants of Moravia district

Maintained by

Alcadía de Medellín and Comfenalco Antioquia with the support of Mondriaan Fund, Cittadellarte - Fondazione Pistoletto, Unidad Taller del Espacio Público, Gerencia Macroproyecto de Moraira, Área Metropolitana del Valle de Aburrá, Jardin Botánico, Corporación Sentidos, Cocineros de Moravia, Red Cultural de Moravia

Duration

2011 - ongoing

Coefficient of Arte Util

80%

Category

Scientific
Pedagogical
Politics
Urban Development
Economy
Environment
Social

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